The history of three-dimensional embroidery dates back to the Tang Dynasty. Initially, it was exclusive to the imperial court. Inspired by the works of later scholars, the exquisite craftsmanship of imperial court embroideries in the Song Dynasty had reached a perfect state. There were embroidered screens, on which the peonies were depicted as if they were alive, with butterflies fluttering among the flowers. Looking at them, one could almost feel as if they were about to fly. In the late Ming and early Qing dynasties, the technique of three-dimensional embroidery was introduced to the common people. The greatest charm of the intangible cultural heritage "three-dimensional embroidery" lies in endowing the fabric with an unprecedented sense of life, making the patterns full and three-dimensional, lifelike, as if they would leap off the silk onto the fabric at any moment. It is like a heartfelt call, awakening the mountains and rivers that have been dormant in the threads; it is also like a tender magic, allowing the flat fabric to grow with reachable abundance. It is not an independent embroidery type, but rather includes numerous embroidery schools that can create a three-dimensional visual effect.